Though many music lovers will know Flora Cash for their breakout 2018 hit “You’re Somebody Else,” I first fell in love with their 2016 album “Can Summer Love Last Forever,” a romantic, gauzy, delicate offering that recalls The Cocteau Twins, Fleet Foxes and Tame Impala. A husband and wife team, Cole and Shpresa Randall first met virtually on Soundcloud a number of years ago. After months of sharing music online, Shpresa flew from her native Stockholm to meet Cole Randall in Minneapolis, and from then on they became inseparable. Today the artistic duo resides full-time in Sweden. I met up with them after their moving, quietly energetic performance at BottleRock, during which the crowd swayed and sang along: “I saw the part of you/That only when you're older you will see too/You will see too…”
Cole Randall: Oh my goodness. At that time in our lives, we felt very cozy. We hadn’t met that long ago. We were just coming off the honeymoon phase of our relationship. When we made that album —and the title alludes to this—we were just realizing that this relationship is going to take some work. Summer love is puppy love. The question is ‘can puppy love last forever.’ And I would say, ‘Not necessarily,’ but that’s not a bad thing. The album came from a period when we were just realizing this and dealing with this.
RHD: And with your current album, ‘Nothing Lasts Forever (And It’s Fine)’, you kind of answer that question.
CR: And it’s fine. That’s the important caveat.
RHD: Yes, I think it reflects a maturity in both individuals in a romantic relationship when they can move forward after the initial glow of new love has waned.
CR: We’re sort of tracking the evolution of a relationship, in a sense.
SR: All of us are human. Everybody has similar—not exactly the same, but similar—problems they’re going through, and it’s important to talk about it and be honest about it. If we can solve our problems, others can too. It’s okay. We all go through anxiety, fear…all these things, and it’s important to talk about it.
RHD: I find that a very humane approach. Your music makes me feel less alone, so thank you for sharing yourselves with your listeners.
CR: Honestly, as much as people thank us for sharing ourselves with them, we’re grateful that people respond and appreciate it. It’s nice that it means something to people, because you never know…
RHD: When you’re writing together, you’re sometimes writing about things that are hard to talk about as a married couple, much less create about. Do you dance around certain topics? Or do you just say, ‘Hey that thing you did that pissed me off turned into this lyric’?
SR: (laughing) That happens.
CR: We have a lot of honest conversations with each other. Pretty much nothing is left unsaid. Everybody has their own private reality where there’ll always be a little bolt around that, but we try to talk everything out. If there’s a lyric that alludes to a previous relationship or a weird subject, we talk it out, and in the end we both have the right to express that. Everybody else will have their opinions and try to limit what other people do, but we can’t do that to each other.
SR: That’s the only way this thing works. Because we’re together 24/7. Yesterday was the first time I was away from him in the last two months—for an hour.
CR: I thought she got kidnapped!
SR: I was shopping.
CR: Her phone wasn’t working. She was late for sound check. She promised me that she wouldn’t be. So I thought, someone’s thrown her in the back of a car, and I’m going to have search Sacramento [where they were performing the previous night] and look for her. It was a scary moment.
SR: Because we are always together. We talk about everything, and everything is open.
CR: And they’re not always pleasant conversations. Things don’t always have to be, as Shpresa said, roses and butterflies, but you have to have a framework where you can discuss everything and anything, and then let the chips fall where they may.
RHD: Switching gears, I love your song ‘California.’ As a Californian, it reminds me of being a teenager and rushing home so I could close myself up in my room and listen to the Cocteau Twins. The emotional texture of their music was so new to me that it offered what I felt was my own little world—a reprieve from this harsh world. And your music does that for me…provides me with that reprieve wherein I feel young again, and it’s nice to feel young again. I know you don’t talk about what Flora Cash means…the name of your band. You’re very private about that, so may I tell you what it means to me?
SR: We would love that.
RHD: For me, I love nature. It’s my safe place. And your music has a very delicate nature to it. Like sunlight through leaves. Your music also allows me to feel vulnerable, which is also something nature does for me. So that’s what Flora means to me. The Flora and fauna of this world. And what motivates me least in this world, probably to my detriment, is money…commerce. So Flora Cash, for me, puts nature before commerce.
As we wrap up our talk, Cole and Shpresa relax in their in their well-appointed cabana in the Artist’s Village at BottleRock. Despite having delivered two performances that day—a main stage concert and a smaller acoustic set—they appear fresh, rested and ready for the next adventure together.
Photos courtesy of BottleRock.
More articles from this author
Day Drinking with Little Big Town
From Wine Journal
R.H. Drexel sits down with the country band to chat about their new line of canned wines.